Download A Pocket Guide to Public Speaking by Dan O'Hair, Hannah Rubenstein, Rob Stewart PDF

By Dan O'Hair, Hannah Rubenstein, Rob Stewart

This best-selling short creation to public conversing deals useful insurance of each subject normally lined in a full-sized textual content, from invention, study, and association, to perform and supply. Its concise, low-cost structure makes it ideal for the general public conversing path, and any atmosphere around the curriculum, at the activity, or in the neighborhood. The fourth version deals even improved assurance of the basics of speechmaking, whereas additionally addressing the altering realities of public talking in a electronic international, with a brand new bankruptcy on on-line displays, and new instruments and suggestion for locating and comparing on-line resources.

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Engage with the audience when it appears they aren’t with you: ✓ Invite one or two listeners to relate briefly their own experiences about the topic. 8 Gauge Listeners’ Feelings toward the Occasion Depending on the speech occasion, people will bring different sets of expectations and emotions to it. Members of a captive audience, who are required to hear the speaker, may be less positively disposed to the occasion than members of a voluntary audience who attend of their own free will. Failure to anticipate the audience’s expectations risks alienating them.

Pre-preparation anxiety at this early stage can have several negative consequences, from reluctance to begin planning for the speech to becoming so preoccupied with anxiety that they miss vital information necessary to fulfill the speech assignment. If this form of anxiety affects you, use the stress-reducing techniques described in this chapter early on in the process. 3 • Managing Speech Anxiety 17 Preparation Anxiety For a minority of people, anxiety arises only when they actually begin to prepare for the speech.

I got really scared the first time I rehearsed my last presentation—it just didn’t seem interesting enough. I spent a few hours trying to strengthen it and make it more interesting, then I rehearsed again. The second time around felt much better, and the speech went well. 3 This is true even of actors, who report that their worst stage fright occurs just as they walk on stage to begin their performances. Performance anxiety in speechmaking is probably most pronounced during the introduction phase, when we utter the first words of the speech and are most aware of the audience’s attention.

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